The early modern world

Benin court art

c. 1300–1897

Brass and ivory sculpture made by royal guilds to record the history and authority of the kings of Benin.

Overview

In the Kingdom of Benin, in what is now southern Nigeria, guilds of brass casters and ivory carvers worked for the king, the Oba. Using the lost-wax method, they cast commemorative heads for royal altars and hundreds of relief plaques that once covered the pillars of the palace.

The plaques show rulers, courtiers, warriors and Portuguese traders in precise detail, forming a visual record of court life in the sixteenth and seventeenth centuries. Thousands of these works were taken by British forces in 1897 and dispersed to museums abroad. Their return is the subject of continuing negotiation, and some have been handed back to Nigeria.

What defines it

  • Lost-wax casting in brass, often called bronze
  • High-relief plaques with rank shown by size and position
  • Carved ivory and coral regalia reserved for the Oba

Works to know

  • Queen Mother Pendant Mask (Iyoba) 16th century · The Metropolitan Museum of Art, New York, and the British Museum, London
  • Relief plaques from the royal palace 16th–17th centuries
  • Commemorative heads of Obas 16th–19th centuries