The long nineteenth century

Romanticism

c. 1790–1850

Emotion, imagination and the overwhelming power of nature, set against the order of the Enlightenment.

Overview

Romantic artists valued feeling and individual vision over rules. They painted storms, shipwrecks, ruins and vast landscapes that evoke the sublime: a mix of awe and fear in the face of forces larger than ourselves.

They also responded to the upheavals of their time. Goya recorded the brutality of war in Spain, Géricault and Delacroix turned contemporary events into monumental drama, and in Britain Turner dissolved sea and sky into light and color.

What defines it

  • Dramatic, emotionally charged subjects
  • Nature shown as vast, wild and sublime
  • Loose, energetic brushwork and rich color

Works to know

  • The Third of May 1808 Francisco Goya · 1814 · Museo del Prado, Madrid
  • Wanderer above the Sea of Fog Caspar David Friedrich · c. 1818 · Hamburger Kunsthalle, Hamburg
  • The Raft of the Medusa Théodore Géricault · 1818–19 · Louvre, Paris
  • Liberty Leading the People Eugène Delacroix · 1830 · Louvre, Paris